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	<title>Comments on: Starting with Heisig</title>
	<atom:link href="http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/</link>
	<description>Learning to Read Japanese by...Reading Japanese</description>
	<pubDate>Thu, 20 Nov 2008 21:12:40 +0000</pubDate>
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		<item>
		<title>By: phauna</title>
		<link>http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/#comment-120</link>
		<dc:creator>phauna</dc:creator>
		<pubDate>Wed, 12 Nov 2008 15:32:43 +0000</pubDate>
		<guid isPermaLink="false">http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/#comment-120</guid>
		<description>I did Heisig as I said before, but when I'd finished I didn't continue my reviews.  I'm with you guys on this count, at least.  I felt I wasn't learning Japanese.  However after Heisig I did have a much better memory for kanji, many times better.  I could recognise kanji that seemed extremely similar to other kanji before I had finished it.

So reading and sentence SRSing after Heisig was really, noticeably easier.  Kanji would stick, and I could *see* them.  They weren't just an outline with a greater or lesser density of strokes.  They were pieces put together.  Heisig is massively useful, even if you never review them ever again, you have a framework and the skill to use it.</description>
		<content:encoded><![CDATA[<p>I did Heisig as I said before, but when I&#8217;d finished I didn&#8217;t continue my reviews.  I&#8217;m with you guys on this count, at least.  I felt I wasn&#8217;t learning Japanese.  However after Heisig I did have a much better memory for kanji, many times better.  I could recognise kanji that seemed extremely similar to other kanji before I had finished it.</p>
<p>So reading and sentence SRSing after Heisig was really, noticeably easier.  Kanji would stick, and I could *see* them.  They weren&#8217;t just an outline with a greater or lesser density of strokes.  They were pieces put together.  Heisig is massively useful, even if you never review them ever again, you have a framework and the skill to use it.</p>
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	<item>
		<title>By: アカン</title>
		<link>http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/#comment-14</link>
		<dc:creator>アカン</dc:creator>
		<pubDate>Thu, 03 Apr 2008 03:02:44 +0000</pubDate>
		<guid isPermaLink="false">http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/#comment-14</guid>
		<description>I believe that developing a solid foundation for radicals is an extremely crucial step towards complete mastery of the Kanji. Which is why I believe that this is where RTK's actual strength lies.

It goes in accordance with the point you highlighted in your 'Stop Studying Japanese!' post, in that when the radicals are presented to you in an organized manner in the form of graded kanji, you can't help but learn them. And then when you finally manage to finish the book, you have a whole new perspective on Kanji. Whenever you see a new kanji, you can automatically spot its component radicals and make up your own mnemonics to keep it in your head. However, this is where I beg to differ. Instead of using my imaginative memory to use the aid of images to remember the kanji, I use the radicals themselves as mnemonics. For instance, for the kanji 頃, I have the 'images' of the radicals, namely 'spoon' and 'head' etched into my mind. So I simply imagine the head feeding itself with the spoon. This little step and I find it to be much more effective than a mnemonic story.

I assume that you haven't tried out Heisig, in which case I would recommend that you try out the first 100 kanji from the free version available online :
http://www.nanzan-u.ac.jp/SHUBUNKEN/publications/miscPublications/pdf/RK4/RK%201_sample.pdf

You will find that the first few kanji are really easy to remember. Now I do not believe that this is because they are easy or have a lesser number of strokes but because Heisig makes you get a very accurate visual representation of them. For instance, 田　appears identical to a rice field when viewed from the top. Stretch your imagination a bit further and it appears like a brain (I did this by imagining the four lines closing in, making the 'boxes' bulge out). This helped me to permanently etch the kanji into my mind hence eliminating the need for an SRS.

Now this is just my own humble opinion, but I believe most people using Heisig lose track of the actual method after a while. After 200 kanji or so, people start using words as opposed to images to help retain the kanji in the long-term memory and I that this method is ineffective. Rather it's much better to learn all the radicals, not by rote, but by images using one's imaginative memory. After that, it's all a piece of cake, imagining the radicals moving around in your head to remember the kanji (I might add that this is very effective. Till date I have not forgotten even one of the kanji I have learnt using this method).

As for the order of learning the individual kanji themselves, it's just like you say. Stumble across a new word in a sentence where you don't know the sentence and then use your little visual gimmick to etch it into your memory....and move on! Makes 'studying' more fun!</description>
		<content:encoded><![CDATA[<p>I believe that developing a solid foundation for radicals is an extremely crucial step towards complete mastery of the Kanji. Which is why I believe that this is where RTK&#8217;s actual strength lies.</p>
<p>It goes in accordance with the point you highlighted in your &#8216;Stop Studying Japanese!&#8217; post, in that when the radicals are presented to you in an organized manner in the form of graded kanji, you can&#8217;t help but learn them. And then when you finally manage to finish the book, you have a whole new perspective on Kanji. Whenever you see a new kanji, you can automatically spot its component radicals and make up your own mnemonics to keep it in your head. However, this is where I beg to differ. Instead of using my imaginative memory to use the aid of images to remember the kanji, I use the radicals themselves as mnemonics. For instance, for the kanji 頃, I have the &#8216;images&#8217; of the radicals, namely &#8217;spoon&#8217; and &#8216;head&#8217; etched into my mind. So I simply imagine the head feeding itself with the spoon. This little step and I find it to be much more effective than a mnemonic story.</p>
<p>I assume that you haven&#8217;t tried out Heisig, in which case I would recommend that you try out the first 100 kanji from the free version available online :<br />
<a href="http://www.nanzan-u.ac.jp/SHUBUNKEN/publications/miscPublications/pdf/RK4/RK%201_sample.pdf" rel="nofollow">http://www.nanzan-u.ac.jp/SHUBUNKEN/publications/miscPublications/pdf/RK4/RK%201_sample.pdf</a></p>
<p>You will find that the first few kanji are really easy to remember. Now I do not believe that this is because they are easy or have a lesser number of strokes but because Heisig makes you get a very accurate visual representation of them. For instance, 田　appears identical to a rice field when viewed from the top. Stretch your imagination a bit further and it appears like a brain (I did this by imagining the four lines closing in, making the &#8216;boxes&#8217; bulge out). This helped me to permanently etch the kanji into my mind hence eliminating the need for an SRS.</p>
<p>Now this is just my own humble opinion, but I believe most people using Heisig lose track of the actual method after a while. After 200 kanji or so, people start using words as opposed to images to help retain the kanji in the long-term memory and I that this method is ineffective. Rather it&#8217;s much better to learn all the radicals, not by rote, but by images using one&#8217;s imaginative memory. After that, it&#8217;s all a piece of cake, imagining the radicals moving around in your head to remember the kanji (I might add that this is very effective. Till date I have not forgotten even one of the kanji I have learnt using this method).</p>
<p>As for the order of learning the individual kanji themselves, it&#8217;s just like you say. Stumble across a new word in a sentence where you don&#8217;t know the sentence and then use your little visual gimmick to etch it into your memory&#8230;.and move on! Makes &#8217;studying&#8217; more fun!</p>
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	<item>
		<title>By: Khalid</title>
		<link>http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/#comment-12</link>
		<dc:creator>Khalid</dc:creator>
		<pubDate>Tue, 01 Apr 2008 16:58:24 +0000</pubDate>
		<guid isPermaLink="false">http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/#comment-12</guid>
		<description>You make an interesting point about the radicals.  Seeing them in other kanji is seeing them in context.

Radicals to Kanji to Compounds to Phrases to Sentences.  Many levels of context.</description>
		<content:encoded><![CDATA[<p>You make an interesting point about the radicals.  Seeing them in other kanji is seeing them in context.</p>
<p>Radicals to Kanji to Compounds to Phrases to Sentences.  Many levels of context.</p>
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	<item>
		<title>By: アカン</title>
		<link>http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/#comment-10</link>
		<dc:creator>アカン</dc:creator>
		<pubDate>Tue, 01 Apr 2008 06:00:49 +0000</pubDate>
		<guid isPermaLink="false">http://blog.feedmejapanese.com/2007/12/01/starting-with-heisig/#comment-10</guid>
		<description>I am one who managed to complete RTK Vol 1 and yet I agree with you fully. However, Heisig did something interesting: drilled most of the radicals into me. While the kanji themselves were out of contexts the radicals certainly weren't. And thanks to that, I can make the component parts of a kanji move around in my head, and the kanji permanently settles down in my visual memory. In other words, visual memory as opposed to imaginative memory. Heisig himself states that the end goal is to get a kanji into your visual memory.</description>
		<content:encoded><![CDATA[<p>I am one who managed to complete RTK Vol 1 and yet I agree with you fully. However, Heisig did something interesting: drilled most of the radicals into me. While the kanji themselves were out of contexts the radicals certainly weren&#8217;t. And thanks to that, I can make the component parts of a kanji move around in my head, and the kanji permanently settles down in my visual memory. In other words, visual memory as opposed to imaginative memory. Heisig himself states that the end goal is to get a kanji into your visual memory.</p>
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